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One-Person Exhibitions*
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*Titles that begin with an artist's name are listed by last name.
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Absalon: Cells, Models, and Drawings
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$20
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1999.
8½" x 11".
Philadelphia: The Galleries at Moore.
20 pp;
63 b&w ills., paperbound in clear poly envelope.
Text:
Foreword by Elsa Longhauser; “The man without a home is a potential criminal” by Philippe Vergne and
“For the Time Being: On the Six Cell-Houses of Absalon” by Moshe Ninio; exhibition checklist.
More about the publication
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William Anastasi: A Retrospective (1960–1995)
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$20
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1994.
11" x 7¾". 32 pp. with 20
black and white ills.
Text: “Anastasi's Presence,”
Eileen Neff; “Re-framing Time and Place:
The Art of William Anastasi,” John G. Hanhardt. Bibliography, Chronology/
Biography, Exhibition Checklist. Foreword by Richard Torchia.
More about the catalog
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Harry Anderson: Finders Keepers
(Collections/Installations/Illuminations)
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$15
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1996. 9" x 6". 48 pp. with 29
color ills. and 15 black
and white ills.
Text: “Harry Anderson,” Lisa Panzera; “Turn on
the
Lights,” Patricia Stewart.
Biography, Exhibition History, Selected Bibliography.
Acknowledgments by Lisa Panzera.
More about the catalog
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Tom Chimes, A Compendium: 1961-1986
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$20
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1986. 8½" x 10¼". 28 pp. with 7
black
and white ills.
Text: “Tom Chimes: A Personal Odyssey,”
Stephen Martin; “Framed Faces, Infinite White,”
Stephen Berg.
Bibliography, Chronology/Biography, Exhibition Checklist.
Foreword by Elsa Longhauser. More about the catalog
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William Daley: Ceramic Works and Drawings
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$20
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1993.
11" x 8½". 36 pp. with 22 black
and white ills.
Text: “Inside/Outside,” Matthew Drutt.
Bibliography,
Chronology/Biography, Exhibition Checklist. Foreword by Richard Torchia.
More about the catalog
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Hanne Darboven, Primitive Zeit/Uhrzeit
(Primitive Time/Clock Time)
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$10
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1990. 12" x 8½".
21 pp. with 3 black
and white ills.
Text: “Today Crossed Out,”
Coosje van Bruggen; “Art
Encyclopedias of
Culture: Klaus Honnef on Hanne Darboven”; “An Interview with
Hanne Darboven,” by Amine Haäse, excerpted from Gespräche Mit Kunstlern.
Bibliography, Chronology/Biography. Foreword by Elsa Longhauser.
More about the catalog
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Jay DeFeo: Selected Works 1952–1989
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$25
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1996. 8½" x 11". 40 pp. with 5 color pls and 19
black and white ills.
Text:
“Mountain Climbing,” Constance Lewallen;
“The Romance of the Rose,” Bill Berkson;
“Thoughts on Jay DeFeo's The Rose,”
and
“Seventeen Things about Jay DeFeo,”
Michael McClure. Exhibition
Checklist, Selected Exhibition History, Lenders to the Exhibition, Selected
Bibliography. Foreword by Elsa Longhauser; curator's
Acknowledgments by Constance Lewallen; introduction by Walter Hopps.
More about the catalog
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Jane Dickson: Life Under Neon,
Paintings and Drawings of Times Square, 1981–1988
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$10
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1989. 11" x 8½". 12 pp. with 2 color pls and 3
black and white ills.
Text: “Real Estate,” Gary Indiana.
Bibliography, Chronology/Biography,
Exhibition Checklist. Foreword by Elsa Longhauser. More about the catalog
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1993. 8½" x 11".
8 pp.
with 5
black
and white ills.
Text: “Marlene Dumas: The Good,
the Bad, and the Ugly,” Jolie van Leeuwen;
statement by the artist.
Exhibition Checklist.
Foreword by Elsa Longhauser. More about the catalog
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Allaire duPont: Works in Needlepoint
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$5
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1993. 10" x 7". 8 pp. with 4
black
and white ills.
Text:
“Mrs. duPont's Tender Obsession,” Judith Stein.
Exhibition Checklist. More about the catalog
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Valie Export: Ob/De+Con(Struction)
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$30
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2000
Philadelphia:
The Galleries at Moore.
65 pp;
15 color pls. and 34 b&w ills., soft back.
Text:
Foreword by Elsa Longhauser; “VALIE EXPORT” by Robert Fleck, “Corpora Vilia, VALIE EXPORT’S Body” by Kristine Stiles, “VALIE EXPORT: Body, Space, Splitting, Projection” by Chrissie Iles, and “Body Double” by Gary Indiana; exhibition checklist, biography with selected exhibitions, reference list.
More about the publication
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Femmes Fatales: An Installation by Lady Pink
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$5
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1993.
8" x 5½". 6-page folded pamphlet with 1 color pl.
Text: “Art off the Streets,” Elsa Longhauser;
“Lady Pink,” Germano Celant;
“But is it Graffiti?” Julie Reich.
More about the brochure
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Jackie Ferrara: Benches, Thrones, and a Table
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$5
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1987. 11" x 8½".
8 pp. with 1 color pl. and 3 black
and white ills.
Text: “Form Follows Fantasy,”
Elsa Longhauser.
Exhibition History, Bibliography, Exhibition Checklist.
More about the catalog
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Terry Fox: Articulations (Labyrinth/Text Works)
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$15
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1992. 11" x 8½".
48 pp. with 33 black and white ills.
1992. 11" x 8". 48 pp. with 33
black and white ills.
Text: Introduction, David A. Ross;
“Terry Fox,” Constance Lewallen.
Bibliography, Chronology/Biography,
Exhibition Checklist. Foreword by
Elsa Longhauser. More about the catalog
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Viola Frey: It's All Part of the Clay
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$15
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1984. 10" x 8½". 24 pp. with 20 black
and white ills.
Text: Essay by Patterson Sims; “Viola Frey:
Change & Transformation,” a dialogue with Garth Clark.
Biography, Exhibition Checklist.
Foreword by Elsa Longhauser. More about the catalog
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La Futurista: Benedetta Cappa Marinetti
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$30
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1998. 8½" x 11".
64 pp. with 12 color pls. and 15 black
and white ills.
Text:
“La Futurista: Benedetta Cappa Marinetti,” Lisa Panzera;
“The Paradox of the Futurist Woman,” Christine Poggi;
“Benedetta's Empathic Journey to Transcendence,” Cinzia Blum;
“Impure Abstraction: Benedetta as Visual
Artist and Novelist,” Lucia Re;
Translated texts. Biography, Selected Exhibition History,
Bibliography, Exhibition Checklist.
Foreword by Elsa Longhauser.
More about the catalog
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Dan Graham: Public/Private
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$20
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1993. 11" x 8½". 50 pp. with 15 volor pls. and 13
black
and white ills.
Text: “Video in Relation to Architecture,”
Dan Graham;
“Dan Graham: At the Edges,” Mark Francis;
“Social Studies,” Christina Ritchie;
“Selected Works with Illustrative Notes,” Dan Graham.
Bibliography, Chronology/ Biography,
Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog
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Raymond Hains: Art Speculator
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$35
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2002. 8½" x 11". 112 pp. with 79 color pls. and 9
black
and white ills.
Text: “From Colette Allendy’s Parrot to Matthieu Laurette: The
Aesthetics of Coincidence According to Raymond Hains” by
Christine Macel,
“Citizen of the World: From France Déchiree to Macintoshages:
Raymond Hains’s France in Shreds and the Politics of Décollage” by
Tom McDonough,
“Hypnagogic Photographs: Graphic Art in Photography: When
Photography Becomes an Object” by
Raymond Hains,
Penelope,
“Les Vérités de la Palisse: Impromptu in Eight
Fragments”
by Christian Schlatter,
“Saffa & Seita: I Would Prefer Not to (Exhibiti): Raymond
Hains and the Critics” by
Aude Bodet,
The Monochrome in the Métro: An Homage to Yves Klein,
Hépérile Éclaté,
Voyage to America.
Exhibition checklist, selected exhibition history, selected bibliography, foreword
by Molly Dougherty. Preface by Christine Macel.
More about the catalog
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The Heart of Creation: The Art of Martin Ramirez
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$12
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1994.
8½" x 9½".
Philadelphia: The Galleries at Moore, 1985.
Photocopy. 48 pp. with 36 b&w ills.
Text:
“Radiant Space: The Art of Martin Ramirez” by Roberta Smith;
“Martin Ramirez: A Visionary's Journal” by Russell Bowman; and “Martin Ramirez: Psychological Hero” by Stephen Martin; selected exhibition history,
selected bibliography, and exhibition checklist.
Foreword by Elsa Longhauser.
More about the publication
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History for Sale: 2,000 Paintings by Stephen Keene
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$7
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1997. 8½" x 11;".
12 pp. with 12 black
and white ills.
Text:
“Deja Vu All Over Again: The Art of Stephen
Keene,” Rebecca Rickman.
Selected
Suggested reading. Introductory essay by Elsa Longhauser.
More about the brochure
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Josef Hoffmann: Drawings and Objects from Conception to Design
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$15
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1991.
11" x 8½". 32 pp. with 3 color pls. and 21 black
and white ills.
Text: Introduction, Eduard F. Sekler;
“Josef Hoffmann
and the Architectural Clock,” Carles Vallhonrat;
“Josef
Hoffmann's Gesamtkunstwerk,” Angela Volker.
Chronology/Biography, Exhibition Checklist.
Foreword by Elsa Longhauser.
More about the catalog
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Dorothea Hofmann: Drawings and Etchings
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$10
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1986. 11" x 8½". 16 pp. with 10
black
and white ills. Text: “The Drawings of Dorothea Hofmann,”
Elsa Longhauser. Chronology,
Biography, Exhibition Checklist. More about the catalog
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Humbert Howard, Philadelphia Painter
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$30
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1996. 11½" x 8½".
40 pp. with 9 color pls. and 9 black
and white ills.
Text:
“Humbert Howard: The Mind and Spirit of an Artist,” Leslie
King-Hammond;
“Creating a Place for Ourselves:
The Rise of Humbert L.
Howard, Black Art, and the Pyramid Club,” Bettye Collier-Thomas.
Selected
Biography, Exhibition Checklist, Selected Exhibition History,
Selected Bibliography. Foreword and Acknowledgments by Lisa Panzera.
More about the catalog
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1991. 11" x 8½". 30 pp. with 25
black
and white ills.
Text:
“The Mailed Art of Ray Johnson,” Clive Phillpot.
Bibliography,
Chronology/Biography, Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog
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Christina Kubisch: Cross-Examination (Sound + Light)
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$15
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1996. 8½" x 11".
16 pp.
with 5
black
and white ills.
Text:
“The Idea of Synthesis in Art,” Helga de la Motte;
“Christina Kubisch
and the Technological Sublime,” Wendy Steiner.
Exhibition Checklist, Selected
Bibliography, Biography, Selected Exhibition History. Introduction by Elsa
Longhauser. More about the catalog
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Moshe Kupferman: Paintings, Works on Paper, & Scrolls
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$15
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1998. 8½" x 11".
20 pp. with 5 color pls.
Text:
“The Content-Driven Abstraction of Moshe Kupferman,”
Allan Schwartzman;
“Abstraction and Time: On the Painterly World of Moshe Kupferman,”
Benjamin Harshav.
Selected
Biography, Exhibition Checklist, Selected Exhibition History.
Foreword by Elsa Longhauser. More about the catalog
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Rochelle Levy: Figures on the Beach
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$15
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1984. 11½" x 8½".
24 pp. with 9 color pls. and 10 black
and white ills.
Text:
Essay by Teri Edelstein.
Selected
Biography, Selected Exhibition History,
Selected Bibliography, Exhibition Checklist.
Acknowledgments by Elsa Longhauser. More about the catalog
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Ingeborg Lüscher: Brightness/Stillness
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$5
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1995. 8½" x 10½". 10 pp. with 2 color pls. and 2
black
and white ills.
Text:
“Inside Out: The Artwork of Ingeborg Lüscher,”
Thomas McEvilley.
Biography, Catalog of the Exhibition, Selected Exhibition History,
Selected Bibliography. Foreword by Elsa Longhauser.
More about the catalog
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Winifred Lutz: Place of Nature, Nature of Place
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$3
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1997. 8½" x 9". 13-page
loose leaf in folder with
7 black and white ills.
Text:
“Paper Makes a Virtue of Tangle and Conglomeration:
The Work of Winifred Lutz,”
Kimberly Paice.
Biography, Selected
Exhibition History, Exhibition Checklist.
Foreword and Acknowledgments by Lisa Panzera.
More about the brochure
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Jacqueline Matisse: Kitetail Cocktail
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$20
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1999. 8½" x 11".
20 pp. with 2 color pls,
And it is this planet . . . by Ecke Bonk, and 17 black
and white ills.
Text:
“Transparent Reflections,” Anne d'Harnoncourt;
“The Art of Jacqueline: A Trajectory into Otherness” Rebecca Rickman;
“About Jacqueline Matisse,” Leslie Vallhonrat.
Exhibition history. Suggested reading. Acknowledgments by Elsa Longhauser.
More about the catalog
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Henry Mitchell: Philadelphia Sculptor
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$12
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1990. 11" x 8½". 30 pp. with 13
black and white ills.
Text:
“Henry Mitchell and Philadelphia,” Edward F. Fry;
“Henry Mitchell: A Maker of Places,” Edmund N. Bacon;
“Henry Mitchell: Marian Mitchell Remembers,” with David Crownover.
Bibliography, Chronology/Biography, Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog
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Matt Mullican: Banners, Monuments, and the
City
as an Exhibition of Work for Public Spaces
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$25
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1987. 9½" x 8189;". 24 pp. with 3
color pls. and 5 black
and white ills.
Text:
“Matt Mullican: Public Paradise” Holland Cotter.
Foreword by Elsa
Longhauser. More about the catalog
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Elijah Pierce: Woodcarver
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$30
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1992
Seattle:
University of Washington Press and Columbus Museum of Art (Ohio).
269 pp; 78 color plates and 173 b&w ills., soft back.
Text:
“Elijah Pierce, Woodcarver: Doves and Pain in Life Fulfilled” by Gerald L. Davis,
“Hands on Work: Style as Meaning in the Carvings of Elijah Pierce” by Michael D. Hall,
“‘Your Life is a Book’: The Artistic Legacy of Elijah Pierce” by John F. Moe,
“A Holy Place: A Tribute to Elijah Pierce” by Aminah Robinson,
Catalog of the Exhibition (annotated), Annotated Checklist, Chronology, Bibliography, Preface by Merribell Parsons, Curators' Statement by E. Jane Connell and Nannette V. Maciejunes.
More about the publication
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Elena Presser: Transpositions
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$15
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19887. 11" x 8½". 12 pp. with 3
black
and white ills.
Text: “Notes and Interpretations: Elena Presser and
Johann Sebastian Bach,” Rosalyn Tureck.
Chronology/Biography, Exhibition Checklist.
Foreword by Elsa
Longhauser. More about the catalog
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1989
Vienna:
ARGE Gabriele Wimmer & John Sailer.
161 pp; 88 color plates and 5 b&w ills., trade paperback.
Text:
Acknowledgments by Thomas Krens, Acknowledgments by Rudi Fuchs, Foreword by Diane Waldman;
“The Labyrinth” by Rudi Fuchs,
“The Great Arch” by Franz Dahlem;
ten texts by Arnulf Rainer: “Painting to Forsake Painting,” “Soliloquies,” “Face Farces,” “Even Before Language,“ “One Summer Sunday in 1973 I Was Ready: Gestural hand-Painting,” “The Painting as Partner: On Hand, Foot and Finger Painting,” “The Completely Dark Picture: Remarks on the Book Remnants,” “As If It Were Final,” “Lamentation”; Exhibition Checklist, Chronology, Selected Exhibitions, Selected Bibliography.
More about the publication
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Arnulf Rainer: Drawing on Death
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$20
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1990. 11" x 8½". 35 pp. with 21
color pls.
Text:
“Images of Confrontation,” John T. Paoletti;
“Death and Art—One Aspect of Arnulf Rainer's
Work,” Otmar Rychlik. Bibliography,
Chronology/Biography, Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog
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David Reed, Graz, New Paintings for the Mirror Room and Archive in a Studio off the Courtyard by David Reed
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$35
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1996
Graz: Neue Galerie Graz am landesmuseum Joanneum
64 pp; 20 color pls., and 118 b&w ills.,
trade soft back
Text:
“60 Fractions of Wegohn” by by Michael Madore, “Journal” by David Reed, “Phantom Painting”
by Peter Weibel, and “Blood in the Mirror” by Hanne Loreck. On the endleaves: Fax to David Reed from Günther and “Entre Terre et ciel” entretien avec Carl T. Dreyer par Michel Delahaye.
More about the publication
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David Reed—Painting/Vampire Study Center: Is looking at an abstract painting similar to a vampire’s not reflecting in a mirror?
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$5
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David Reed Paintings: Motion Pictures
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$35
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1998
San Diego: Museum of Contemporary Art
96 pp; 50 color pls., and 22 b&w ills.,
trade soft back.
Text:
“David Reed: Painting in the Age of Electronic Media” by Elizabeth Armstrong, “Black on White: Paintings by David Reed” by Paul Auster, “David Reed’s Coming Attractions” by Dave Hickey, and “David Reed’s #275: A Story of Erotic Vision” by Mieke Bal. Acknowledments by Elizabeth Armstrong; foreword by Hugh M. Davies, with an exhibition checklist, artist’s chronology, exhibition history.
More about the publication
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Dieter Roth: Printed Pressed Bound
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$45
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1994.
7¼" x 9½".
Köln: Oktagon, 1998.
Trade soft back.
197 pp. with 87 color pls. and 166 b&w ills.
Text:
“My Eye Is a Mouth” by Felicitas Thun,
“Was That Something—On the Poetry of Dieter Roth” by Ferdinand Schmatz,
and
“Conversation with Dieter Roth, Basel, February 1998” by Felicitas Thun. Selected list of books by Roth, biography, selected exhibitions,
bibliography, index, preface by Konrad Oberhuber. In German and English.
More about the catalog
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Jean-Frédéric Schnyder: Paintings
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$18
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1994.
8½" x 11". 42 pp. with 9 color pls. and 124 black
and white ills.
Text: Biography, Matthew Singer;
“Jean-Frédéric Schnyder,” Jean-Christophe Ammann;
“Dritchi,” Toni Gerber;
“Prose of the World,” Maureen Sherlock;
Interview with the artist by Josef Helfenstein.
Bibliography, Chronology/Biography, Exhibition Checklist.
Foreword by Elsa Longhauser. More about the catalog
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1996. 8½" x 11".
32 pp. with 8 color pls. and 20 black
and white ills.
Text:
Introduction by Bice Curiger;
“Sculpting Time,” Max Wechsler;
“The Sound of One Bomb Clapping,” Kristine Stiles;
“Sherlock, Jr.,” William Horrigan.
Exhibition Checklist,
Selected Exhibition History, Selected Bibliography. Foreword and Acknowledgments
by Elsa Longhauser. More about the catalog
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Steve Tobin: The Glass Garden
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$15
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1996. 9" x 12".
10 pp. with 14 color pls..
Text:
“An Appreciation,”
Paul V. Gardner;
“Visions That Won't Stand Still,”
Irvin J. Borowsky and Laurie Wagman;
“Notes on ‘The Glass Garden’,”
Steve Tobin.
Selected
Biography, Selected Exhibition History,
Selected Bibliography. Foreword by Richard Torchia.
More about the catalog
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1994
Toronto:
Art Gallery of York University.
105 pp; 31 color plates and 14 b&w ills., 5” x 7”, soft back.
Text:
Foreword by Loretta Yarlow;
“Intoxicating Void” by Gregory Salzman,
“A Little Hell: Introducing Luc Tuymans” by Peter Schjekdahl,
“Superstition” by Luc Tuymans, Robert Van Ruyssevelt,
“Presence in Remembrance” by Hans Rudolf Reust,
Exhibition Checklist, Exhibition Chronology, Bibliography.
More about the publication
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Pat Ward Williams: Probable Cause
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$15
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1992. 8½" x 11".
32 pp. with 14 black
and white ills.
Text: “Pat Ward Williams: Photography and
Social/Personal History,” Kellie Jones;
“A Witness of Our Times:
Politics and Commemoration in the Art of
Pat Ward Williams,” PMoira Roth.
Exhibition Checklist. Foreword
by Elsa Longhauser. More about the catalog
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The World of Adolf Wölfli—The Other Side of the Moon
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$30
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1988. 11" x 8½".
64 pp. with 30 color pls. and 5 black
and white ills.
Text: “The Art of Adolf Wölfli: An Introduction,”
Elka Spoerri; “Adolf Wölfli,”
Carter Ratcliff; “Adolf Wölfli: Poet and Writer,” Jürgen
Glaesemer; “No Catastrophe without Idyl, No Idyl without Catastrophe,”
Harald Szeemann; “Wölfli Undisguised: The Wolf's Clothing of Tiny Wolf,”
Jurg Laederach; “Identity of Representation and the Represented in the
Art of Adolf Wölfli,” Theodor Sporri; “In the Doll House of the Sun on the
Prairies of the Moon,” Howard Hussey. Also includes correspondence between
Rainer Maria Rilke and Lou Andreas-Solome. Bibliography, Chronology/Biography,
Exhibition Checklist. Foreword by Elsa Longhauser.
More about the catalog
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Barbara Zucker: For Beauty's Sake
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$3
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1996. 12" x 8". 8-page folded pamphlet with 6 black and white ills.
Text: “Barbara Zucker: For Beauty's Sake,”
Joachim Neugroschel. Artist's Statement. Foreword by
Elsa Longhauser. Exhibition Checklist, Selected
Bibliography, Selected Exhibition History.
More about the brochure
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