Comprehensive list
Absalon: Cells, Models, and Drawings
The Galleries at Moore, 20 pages, 63 b+w illustrations
Paperback: ISBN: 1-58442-050-2
Foreword by Elsa Longhauser. Texts include: “The man without a home is a potential criminal” by Philippe Vergne, “For the Time Being: On the Six Cell-Houses of Absalon” by Moshe Ninio, with comprehensive exhibition checklist.
William Anastasi: A Retrospective (1960–1995)
The Galleries at Moore, 32 pages, 20 b+w illustrations
Paperback: ISBN: 1-58442-002-2
Foreword by Richard Torchia.
Harry Anderson: Finders Keepers (Collections/Installations/Illuminations)
The Galleries at Moore, 32 pages, 20 b+w illustrations
Paperpack: ISBN: 1-58442-002-2
Foreword by Richard Torchia. Texts include: “Anastasi's Presence” by Eileen Neff, “Re-framing Time and Place: The Art of William Anastasi” by John G. Hanhardt.
Artur Barrio: Actions after Actions
The Galleries at Moore, 80 pages, 32 color reproductions; 64 b+w illustrations
Paperback: ISBN: 1-58442-055-3
Texts by Carlos Basualdo, Curator of Contemporary Art, Philadelphia Museum of Art; Brian Wallace, Curator of the exhibition; Claudia Calirman, Ph.D., adjunct professor at the Museum of Modern Art, NY, and Parsons The New School of Design, NY; Eric Mangion, Director, Villa Arson National Center for Contemporary Art, Nice. Edited by Molly Dougherty. Designed by Purtill Family Business.
The Basel School of Design and Its Philosophy:
The Armin Hofmann Years, 1946–1986. An Exhibition of Posters
The Galleries at Moore, 48 pages, 53 b+w illustrations
Paperback: ISBN 1-58442-003-0
Foreword by Elsa Longhauser. Texts include: “Armin Hofmann” by Paul Rand, “Thoughts on the Poster” by Armin Hofmann, “The Basel School of Design” by Kenneth Hiebert.
The Practice of Storytelling:
Abstracted Narratives in the Work of Frank Bramblett
The Galleries at Moore
Online essay by Denise Carvalho.
Mary Cassatt, Alice Neel, Karen Kilimnik: Painted Faces
The Galleries at Moore, 32 pages, 20 b+w illustrations
Paperback: ISBN 1-58442-052-9
Foreword by Lisa Melandri. Texts include: “A Fragment in the Mirror: The Portrait As Social and Historical Subject” by Maureen P. Sherlock, “An Audience” by Jeanne Randolph, “The Arbiter of Her Own Destiny” by Mira Schor.
Bronze, Plaster, and Polyester: A Selection of Cast Sculpture
The Galleries at Moore, 12 pages, 9 b+w illustrations
Paperback: ISBN 1-58442-004-9
Foreword by Elsa Longhauser.
Tom Chimes, A Compendium: 1961–1986
The Galleries at Moore, 28 pages, 7 b+w illustrations
Paperback: ISBN 1-58442-005-7
Foreword by Elsa Longhauser. Texts include: “Tom Chimes: A Personal Odyssey” by Stephen Martin, “Framed Faces, Infinite White” by Stephen Berg.
Tom Chimes, A Compendium: 1961–1986
The Galleries at Moore, 28 pages, 7 b+w illustrations
Paperback: ISBN 1-58442-005-7
Foreword by Elsa Longhauser.
William Daley: Ceramic Works and Drawings
The Galleries at Moore, 36 pages, 6 color reproductions, 22 b+w illustrations
Paperback: ISBN 1-58442-008-1
Foreword by Richard Torchia.
Hanne Darboven: Primitive Zeit/Uhrzeit (Primitive Time/Clock Time)
The Galleries at Moore, 21 pages, 3 b+w illustrations
Paperback: ISBN 1-58442-007-3
Edited by Elsa Longhauser.
Jay DeFeo: Selected Works 1952–1989
The Galleries at Moore, 40 pages, 5 color reproductions and 19 b+w illustrations
Paperback: ISBN 1-58442-009-x
Foreword by Elsa Longhauser. Curator's acknowledgments by Constance Lewallen. Introduction by Walter Hopps.
Jane Dickson: Life Under Neon,
Paintings and Drawings of Times Square, 1981–1988
The Galleries at Moore, 12 pages, 2 color reproductions, 3 b+w illustrations
Paperback: ISBN 1-58442-012-x
Foreword by Elsa Longhauser.
Marlene Dumas
The Galleries at Moore, 8 Pages, 5 b+w illustrations
Paperback: ISBN 1-58442-012
Texts by Elsa Longhauser, Jolie van Leeuwen, Marlene Dumas.
Allaire duPont: Works in Needlepoint
The Galleries at Moore, 8 pages, 4 b+w illustrations
Paperbacks: ISBN 1-58442-014-6
“Mrs. duPont's Tender Obsession” by Judith Stein.
VALIE EXPORT Ob/De+Con(Struction)
The Galleries at Moore, 65 pages, 15 color reproductions, 34 b+w illustrations
Paperback: ISBN 1-58442-051-0
Texts by Elsa Longhauser, Robert Fleck, Kristine Stiles, Chrissie Iles; “Body Double” by Gary Indiana.
The Fabric Workshop: A Tradition Continued
The Galleries at Moore, 8 pages
Pamphlet: ISBN 1-58442-013-8
Foreword by Elsa Longhauser and Catherine Thomas Masetti.
Femmes Fatales: An Installation by Lady Pink
The Galleries at Moore, 6 pages, 1 color pl.
Pamphlet: ISBN 1-58442-028-6
Texts include: “Art off the Streets” by Elsa Longhauser, “Lady Pink” by Germano Celant, “But is it Graffiti?” by Julie Reich.
Jackie Ferrara: Benches, Thrones, and a Table
The Galleries at Moore, 8 pages, 1 color pl, 3 b+w illustrations
Paperback: ISBN 1-58442-015-4
“Form Follows Fantasy” by Elsa Longhauser.
Terry Fox: Articulations (Labyrinth/Text Works)
The Galleries at Moore, 48 pages, 33 b+w illustrations
Paperback: ISBN 1-58442-016-2
Foreword by Elsa Longhauser.
Viola Frey: It's All Part of the Clay
The Galleries at Moore, 24 pages, 20 b+w illustrations
Paperback: ISBN 1-58442-018-9
Foreword by Elsa Longhauser.
From the Ground Up: Ten Philadelphia Clay Artists
The Galleries at Moore, 32 pages, 20 b+w illustrations
Paperback: ISBN 1-58442-006-5
“Good Earth” by Richard Torchia.
Dr. Ameisenhaufen's Fauna
Researched by Joan Fontcuberta and Pere Formiguera
Göttingen: European Photography, 269 pages, 80 b+w illustrations
Paperback: ISBN 3-923283-16-4
Preface (English and German) by Foncuberta and Formiguera.
La Futurista: Benedetta Cappa Marinetti
The Galleries at Moore, 64 pages, 12 color, 15 b+w illustrations
Paperback: ISBN 1-58442-019-7
Foreword by Elsa Longhauser.
Gloria: Another Look at Feminist Art of the 1970s
New York: White Columns, 12 tabloid pages, 23 b+w illustrations
Catalog in tabloid format for the exhibition.
Dan Graham: Public/Private
The Galleries at Moore, 50 pages, 15 color pictures, 13 b+w illustrations
Paperback: ISBN: 1-58442-020-0
Texts by Elsa Longhauser, Marck Francis, Christina Ritchie; “Video in Relation to Architecture” by Dan Graham.
Raymond Hains: Art Speculator
The Galleries at Moore, 112 pages, 79 color reproductions, 9 b+w illustrations
Paperback: ISBN: 1-58442-053-7
Texts by Raymond Hains, Molly Dougherty, Tom McDonough, Christian Schlatter, Aude Bodet; “The Aesthetics of Coincidence According to Raymond Hains” by Christine Macel.
The Heart of Creation: The Art of Martin Ramirez
The Galleries at Moore, 48 pages, 36 b+w illustrations
Paperback: ISBN 1-58442-049-9
Foreword by Elsa Longhauser. Texts include: “Radiant Space: The Art of Martin Ramirez” by Roberta Smith, “Martin Ramirez: A Visionary's Journal” by Russell Bowman, “Martin Ramirez: Psychological Hero” by Stephen Martin.
History for Sale: 2,000 Paintings by Stephen Keene
The Galleries at Moore, 12 pages, 12 b+w illustrations
Paperback: ISBN 1-58442-021-9
Introductory essay by Elsa Longhauser. “Deja Vu All Over Again: The Art of Stephen Keene” by Rebecca Rickman. Read about Stephen Keene.
Josef Hoffmann: Drawings and Objects from Conception to Design
The Galleries at Moore , 32 pages, 3 color reproductions, 21 b+w illustrations
Paperback: ISBN 1-58442-023-5
Texts by Elsa Longhauser, Eduard F. Sekler, Angela Volker; “Josef Hoffman and the Architectural Clock” by Carles Vallhonrat.
Dorothea Hofmann: Drawings and Etchings
The Galleries at Moore, 16 pages, 10 b+w illustrations
Paperback: ISBN 1-58442-022-7
“The Drawings of Dorothea Hofmann” by Elsa Longhauser.
Humbert Howard: Philadelphia Painter
The Galleries at Moore, 40 pages, 9 color reproductions, 9 b+w illustrations
Paperback: ISBN 1-58442-024-3
Texts by Lisa Panzera, Leslie King-Hammond, and “Creating a Place for Ourselves: The Rise of Humbert L. Howard, Black Art, and the Pyramid Club” by Bettye Collier-Thomas.
Images of Desire:
Portrayals in Recent Advertising Photography
The Galleries at Moore, 20 pp. with 14 b+w illustrations
Paperback: ISBN 1-58442-010-3
Forward by Elsa Longhauser. “Images of Desire: Portrayals in Recent Advertising Photography” by Andy Grundberg.
Jörg Immendorf: I Wanted to Become an Artist
Walther Köenig Publishers, 151 pages, 117 color reproductions
Hardback: ISBN: 3-88375-746-0
Texts by Robert Storr, Pamela Kort, and Isabelle Moffat.
Ray Johnson
The Galleries at Moore, 30 pages, 25 b+w illustrations
Paperback: ISBN 1-58442-025-1
Foreword by Elsa Longhauser. “The Mailed Art of Ray Johnson” by Clive Phillpot.
Komar & Melamid: Asian Elephant Art and Conservation Project
The Galleries at Moore Online Essays
“Russian Artists/Thai Elephants: Art on a Global Scale” by Carter Ratcliff, “Concerning the Inner Life of Elephants” by Rebecca Rickman.
Christina Kubisch: Cross-Examination (Sound + Light)
The Galleries at Moore, 16 pages. 5 b+w illustrations
Paperback: ISBN 1-58442-026-x
Introduction by Elsa Longhauser. Texts include: “The Idea of Synthesis in Art” by Helga de la Motte, “Christina Kubisch and the Technological Sublime” by Wendy Steiner.
Moshe Kupferman: Paintings, Works on Paper, Scrolls
The Galleries at Moore, 20 pages, 5 color reproductions
Paperback: ISBN 1-58442-027-8
Texts by Elsa Longhauser, Allan Schwartzman, Benjamin Harshav. Read about Moshe Kupferman.
Rochelle Levy: Figures on the Beach
The Galleries at Moore, 24 pages, 9 color reproductions, 10 b+w illustrations
Paperback: ISBN 1-58442-029-4
Essay by Teri Edelstein, acknowledgments by Elsa Longhauser.
Ingeborg Lüscher: Brightness/Stillness
The Galleries at Moore, 10 pages, 2 color reproductions, 2 b+w illustrations
Paperback: ISBN 1-58442-030-8
“Inside Out: The Artwork of Ingeborg Lüscher” by Thomas McEvilley.
Winifred Lutz: Place of Nature, Nature of Place
The Galleries at Moore, 13-pages, 7 b+w illustrations
Loose leaf in folder: ISBN 1-58442-031-6
Foreword and acknowledgments by Lisa Panzera. “Paper Makes a Virtue of Tangle and Conglomeration: The Work of Winifred Lutz” by Kimberly Paice.
Jacqueline Matisse: Kitetail Cocktail
The Galleries at Moore, 20 pages, 2 color reproductions, 17 b+w illustrations
Paperback: ISBN 1-58442-048-0
Texts include: “Transparent Reflections” by Anne d'Harnoncourt, “The Art of Jacqueline: A Trajectory into Otherness” by Rebecca Rickman, “About Jacqueline Matisse” by Leslie Vallhonrat, acknowledgments by Elsa Longhauser.
Memento Mori
The Galleries at Moore, 12 pages, 8 b+w illustrations
Paperback: ISBN 1-58442-033-2
Introduction by Elsa Longhauser. “Memento Mori” by Janet Kaplan.
Mexican Journeys: Myth, Magic, and Mummies
The Galleries at Moore, 32 pages, 13 color reproductions, 20 b+w illustrations
Paperback: ISBN 1-58442-034-0
Foreword by Elsa Longhauser and Richard Torchia. “A Poetics of Displacement” by Janet Kaplan.
Henry Mitchell: Philadelphia Sculptor
The Galleries at Moore, 30 pages, 13 b+w illustrations
Paperback: ISBN 1-58442-035-9
Foreword by Elsa Longhauser. Texts include: “Henry Mitchell and Philadelphia” by Edward F. Fry, “Henry Mitchell: A Maker of Places” by Edmund N. Bacon, “Henry Mitchell: Marian Mitchell Remembers” with David Crownover.
Matt Mullican: Banners, Monuments, and the
City as an Exhibition of Work for Public Spaces
The Galleries at Moore, 24 pages, 3 color reproductions, 5 b+w illustrations
Paperback: ISBN 1-58442-032-4
Foreword by Elsa Longhauser. “Matt Mullican: Public Paradise” by Holland Cotter.
The Philadelphia Ten:
A Women's Artist Group 1917–1945
The Galleries at Moore, 175 pages, 93 color reproductions, 65 b+w illustrations
Paperback: ISBN 1-58442-000-6
“The Philadelphia Ten: A Women’s Artist Group 1917 – 1945” by Page Talbott and Patricia Tanis Sydney.
Picturing Asian America:
A Collaborative Project Organized by Mei-ling Hom
The Galleries at Moore, 9 color postcards and folded text sheet
Postcards: ISBN 1-58442-036-7
Introduction and Acknowledgments by Richard Torchia.
Elijah Pierce: Woodcarver
The Galleries at Moore, 269 pages, 78 color reproductions, 173 b+w illustrations
Paperback: ISBN 0-295-97252-1
Curators' Statement by E. Jane Connell and Nannette V. Maciejunes. Preface by Merribell Parsons. Texts include: “Elijah Pierce, Woodcarver: Doves and Pain in Life Fulfilled” by Gerald L. Davis, “Hands on Work: Style as Meaning in the Carvings of Elijah Pierce” by Michael D. Hall, “‘Your Life is a Book’: The Artistic Legacy of Elijah Pierce” by John F. Moe, “A Holy Place: A Tribute to Elijah Pierce” by Aminah Robinson.
Elena Presser: Transpositions
The Galleries at Moore, 12 pages, 88 color reproductions, 3 b+w illustrations
Paperback: ISBN 1-58442-037-5
Foreword by Elsa Longhauser. “Notes and interpretations: Elena Presser and Johann Sebastian Bach” by Rosalyn Tureck.
Arnulf Rainer
The Galleries at Moore, 161 pages, 5 b+w illustrations
Paperback: ISBN 3-85127-005-3
Foreword by Diane Waldman. Acknowledgments by Thomas Krens and Rudi Fuchs. Texts include: “The Labyrinth” by Rudi Fuchs, “The Great Arch” by Franz Dahlem, and 10 texts by Arnulf Rainer: “Painting to Forsake Painting,” “Soliloquies,” “Face Farces,” “Even Before Language,“ “One Summer Sunday in 1973I Was Ready: Gestural hand-Painting,” “The Painting as Partner: On Hand, Foot and Finger Painting,” “The Completely Dark Picture: Remarks on the Book Remnants,” “As If It Were Final” and “Lamentation.”
Arnulf Rainer: Drawing on Death
The Galleries at Moore, 35 pages, 21 color reproductions
Paperback: ISBN 1-58442-038-3
Text by Elsa Longhauser, Otmar Rychlik; “Images of Confrontation” by John T. Paoletti.
Recherché
The Galleries at Moore, 32 pages, 8 color reproductions, 12 b+w illustrations
Paperback: ISBN 1-58442-039-1
Texts by Richard Torchia, Sande Webster, Edmund Barry Gaither, and Moe Brooker. Read about Recherché.
David Reed, Graz, New Paintings for the Mirror Room and Archive in a Studio off the Courtyard by David Reed
The Galleries at Moore, 64 pages, 20 color reproductions, 118 b+w illustrations
Paperback
Texts include: “60 Fractions of Wegohn” by by Michael Madore, “Journal” by David Reed, “Phantom Painting” by Peter Weibel, and “Blood in the Mirror” by Hanne Loreck.
David Reed—Painting/Vampire Study Center: Is looking at an abstract painting similar to a vampire’s not reflecting in a mirror?
The Galleries at Moore, 15 pages, 2 pages of color reproductions, 4 pages of b+w illustrations
Loose pages in envelope
Introduction by Elsa Longhauser. Read notes from the artist’s journal.
David Reed Paintings: Motion Pictures
The Galleries at Moore, 96 pages, 50 color reproductions, 22 b+w illustrations
Paperback
Foreword by Hugh M. Davies. Texts include: “David Reed: Painting in the Age of Electronic Media” by Elizabeth Armstrong, “Black on White: Paintings by David Reed” by Paul Auster, “David Reed’s Coming Attractions” by Dave Hickey, and “David Reed’s #275: A Story of Erotic Vision” by Mieke Bal. Acknowledgments by Elizabeth Armstrong.
Dieter Roth: Printed Pressed Bound
The Galleries at Moore, 197 pages, 87 color reproductions, 166 b+w illustrations
Paperback
Texts include: “My Eye Is a Mouth” by Felicitas Thun, “Was That Something—On the Poetry of Dieter Roth” by Ferdinand Schmatz, and “Conversation with Dieter Roth, Basel, February 1998” by Felicitas Thun.
Jean-Frédéric Schnyder: Paintings
The Galleries at Moore, 42 pages, 9 color reproductions, 124 b+w illustrations
Paperback: ISBN 1-58442-040-5
Texts by Elsa Longhauser, Matthew Singer, Toni Gerber, Maureen Sherlock, Josef Helfenstein, and “Jean-Frédéric Schnyder” by Jean-Christophe Ammann.
Roman Signer: Works
The Galleries at Moore, 32 pages, 8 color reproductions, 20 b+w illustrations
Paperback: ISBN 1-58442-041-3
Foreward by Elsa Longhauser. Texts include: “I Was Here or Roman Signer: The Buster Keaton of Art” by Bice Curiger; others by Max Wechsler, Kristine Stiles, William Horrigan.
John Sloan/Robert Henri:
Their Philadelphia Years (1886–1904)
The Galleries at Moore, 64 pages, 31 b+w illustrations
Paperback: ISBN 1-58442-042-1
John Sloan writes on Robert Henri, foreword by Dianne Perry Vanderlip and Richard Torchia.
Bram Stoker's Dracula: calalog of the centennial exhibition at the Rosenbach Museum & Library
The Galleries at Moore, 12 b+w illustrations
Paperback Foreword by Stephen K. Urice, Introduction by Nina Auerbach, Provenance by Elizabeth E. Fuller. Texts by Wendy Van Wyck Good: “Beginnings,” “Henry Irving,” “Influences,” “Count Wampyr,” “Whitby,” “Transylvania,” “The Vampire Novel,” “The Un-Dead” and “Dracula.”
1848/Student Show/1998: Selections, Lists, Awards, Announcements Presented by Andrea Fraser
The Galleries at Moore, 40 pages, 15 b+w illustrations
Paperback: ISBN 1-58442-017-0
Foreword by Elsa Longhauser. President's Note by Barbara Gillette Price. Introduction by Andrea Fraser.
Steve Tobin: The Glass Garden
The Galleries at Moore, 10 pages, 14 color reproductions
Paperback: ISBN 1-58442-043-x
Foreword by Richard Torchia. Texts include: “An Appreciation,” Paul V. Gardner; “Visions That Won't Stand Still” by Irvin J. Borowsky and Laurie Wagman; “Notes on ‘The Glass Garden’,” Steve Tobin. Selected Biography, Selected Exhibition History, Selected Bibliography.
Luc Tuymans
Art Gallery of York University, 105 pages, 31 color reproductions, 14 b+w illustrations
Paperback: ISBN 0-921972-12-x
Foreword by Loretta Yarlow. Texts include: “Intoxicating Void” by Gregory Salzman, “A Little Hell: Introducing Luc Tuymans” by Peter Schjekdahl, “Superstition” by Luc Tuymans, Robert Van Ruyssevelt, “Presence in Remembrance” by Hans Rudolf Reust.
Pat Ward Williams: Probable Cause
The Galleries at Moore, 32 pages, 14 b+w illustrations
Paperback: ISBN 1-58442-044-8
Foreword by Elsa Longhauser. Texts include: “Pat Ward Williams: Photography and Social/Personal History” by Kellie Jones; “A Witness of Our Times: Politics and Commemoration in the Art of Pat Ward Williams” & “Pat Ward Williams: A Narrative Chronology” both by Moira Roth.
The World of Adolf Wölfli—The Other Side of the Moon
The Galleries at Moore, 64 pages, 30 color reproductions, 5 b+w illustrations
Paperback: ISBN 1-58442-045-6
Foreword by Elsa Longhauser. Texts include: “The Art of Adolf Wölfli: An Introduction,” Elka Spoerri; “Adolf Wölfli,” Carter Ratcliff; “Adolf Wölfli: Poet and Writer,” Jürgen Glaesemer; “No Catastrophe without Idyl, No Idyl without Catastrophe,” Harald Szeemann; “Wölfli Undisguised: The Wolf's Clothing of Tiny Wolf,” Jurg Laederach; “Identity of Representation and the Represented in the Art of Adolf Wölfli,” Theodor Sporri; “In the Doll House of the Sun on the Prairies of the Moon,” Howard Hussey. Also includes correspondence between Rainer Maria Rilke and Lou Andreas-Solome.
Barbara Zucker: For Beauty's Sake
The Galleries at Moore, 8-page folded pamphlet, 6 b+w illustrations
Paperback: ISBN 1-58442-046-4
Artist's Statement.
Foreword by Elsa Longhauser, “Barbara Zucker: For Beauty's Sake” by Joachim Neugroschel.